Cast:
Sharlto Copley as Wikus Van De Merwe
Jason Cope as Grey Bradnam - UKNR Chief Correspondent
Nathalie Boltt as Sarah Livingstone - Sociologist
Sylvaine Strike as Dr Katrina McKenzie
John Summer as Les Feldman - MIL Engineer
William Allen Young as Dirk Michaels
Nick Blake as Francois Moraneu - CIV Engineer Team
Jed Brophy as James Hope - Police Officer
Louis Minnaar as Piet Smit
Vanessa Haywood as Tania Van De Merwe
Marian Hooman as Sandra Van De Merwe
Vittorio Leonardi as Michael Bloemstein - MNU Alien Civil Affairs
Mandla Gaduka as Fundiswa Mhlanga
Johan van Schoor as Nicolas Van De Merwe
Stella Steenkamp as Phyllis Sinderson - MNU Alien Relations
David James as Koobus Venter
Kenneth Nkosi as Thomas
Hlengiwe Madlala as Sangoma
Siyabonga Radebe as Obesandjo's Lieutenant
Melt Sieberhagen as Anton Grobler
Andre Odendaal as Mike Van Kerland
Nick Boraine as Craig Weldon
Robert Hobbs as Ross Pienaar
Sibulele Gcilitshana as Ü Günters Woman
Mahendra Raghunath as SABC Anchor Person
Directed by Neill Blomkamp
Summary:
Impressive for what first-time director Neill Blomkamp has done with a
limited budget and for its unique take on the alien invasion genre,
"District 9" could have been better if it had remained focused on the
main character rather than trying to show off a variety of filmmaking
styles with a lot of flashy CG FX-driven action.
Story:
District 9 is the area in Johannesburg, South Africa where the aliens
who arrived on earth 28 years ago have been sequestered, and government
agent Wikus Van De Merwe (Sharlto Copley) has been assigned the job to
evict and relocate them to a new camp. When he's sprayed with a
mysterious alien substance, Wikus goes through a transformation that
will forever change his relationship with his alien subjects.
Analysis:
There's little question that 2009 will be remembered as the year where
the science fiction genre once again achieved the respect it deserves,
not only thanks to large scale blockbusters like J.J. Abrams' "Star
Trek," but also thanks to a number of new independent filmmakers who
haven't allowed their vision to be watered down by their limited
budget. If Duncan Jones ("Moon") is the Stanley Kubrick or Ridley Scott
of the Class of '09 and Sophie Barthes ("Cold Souls") is "Sleeper"-era
Woody Allen, then clearly South Africa's Neill Blomkamp is Paul
Verhoeven. There's no other explanation for the amount of people
blowing up in "District 9" than someone who spent much of their
childhood watching "Starship Troopers" or "Total Recall" or "RoboCop."
Then again, Blomkamp's debut does maintain the intelligence of those
other filmmaking debuts, taking a similar approach as the original "The
Day the Earth Stood Still" to use the sci-fi genre to explore very real
issues of prejudice and tolerance. It's probably not a coincidence that
both of those issues have played a large part in the history of
Johannesburg, where Blomkamp decided to set his debut.
The world is introduced through a series of interviews and news
segments on how a ship-full of aliens came to earth 28 years ago, but
in present day, when the government needs to relocate them that job
falls to desk jockey Wikus van der Merwe, played by newcomer Sharlto
Copley. We've already heard mention of Wikus through his wife and
family talking about him in the past tense, hinting at what's to come,
and we finally meet him as a documentary crew follows him from one
hovel to the next trying to politely evict the scavenging aliens, often
referred to negatively as "prawns" for their crustacean-like
appearance. Poor Wikus is in the wrong place at the wrong time and
after being sprayed by a substance within a mysterious alien artifact,
he starts going through a transformation that brings him closer to the
slum residents.
Certainly, "District 9" is trying to do for alien invasion movies what
Danny Boyle's "28 Days Later" did for the zombie genre, and it's an
effort that mostly works thanks to the fascinating way the alien
creatures are depicted, putting them into human terms as scavengers
living in a "Favela"-like slum where crime and corruption run rampant.
Blomkamp uses the WETA resources provided by producer and presenter
Peter Jackson to create well-crafted CG creatures with real weight and
depth, though they sometimes veer into cheesy "oh, look how adorable we
can make these ugly creatures" territory that made the "Star Wars"
prequels grueling at times.
The other major problem is that Blomkamp tries way too hard to be edgy
and original using an assortment of storytelling and filmmaking
approaches to mix things up, whether it's the aforementioned doc
stylings to telling the story via security cameras and the like. It's
not something that often works if not done right, as seen by the
similar approach used by Brian De Palma in his attempt at an Iraq
docudrama with "Redacted."
In Copley, Blomkamp has a stronger lead actor than anyone in De Palma's
failed experiment, but by the time we're well into Wikus' story arc,
the movie keeps cutting to the news reporting on the events in District
9. By that point, this conceit has become distracting and it greatly
detracts from the focus that's been established in Wikus' journey.
There's also some serious tonal issues throughout the movie as it
begins with a serious doc, then gets lighter with Copley constantly
hamming it up for the cameras, then turning into terror, before the
movie devolves into a wild third act shoot-out, proving that action and
FX are clearly Blomkamp's forte, rather than bringing out consistent
performances from his cast.
The Bottom Line:
It's far too easy to go overboard with praise for Blomkamp's debut only
because we don't see movies like this often - Alfonso Cuaron's
"Children of Men" might be the most recent example of this type of epic
sci-fi with intelligence but from a filmmaker with far more experience.
Instead, "District 9" is more in the vein of entertaining summer fare
exemplified by Verhoeven in his heyday, one of the better studio debuts
by a new filmmaker made more impressive by the limited resources at
hand. For that reason, Blomkamp's next step as a filmmaker will be one
to watch very closely.