Paintings Photography Desktop Wallpapers Vintage Movie Art

Fine Art Print & Poster | Wall Tapestries | Framed Art Prints | Canvas Prints | Hand Painted Art | On Sale |

 

img1.gif

Robert Doisneau Poster Photography Wallpapers

Elliott Erwitt Photos Wallpapers

Kiss Wallpaper B&W Photogrpahy 01

 Robert Doisneau Posters

The Kiss on the Sidewalk

 

Le Baiser de l'Hotel de Ville, Paris, 1950 - Robert Doisneau Print

800 x 600 : 1024 x 768 : 1280 x 1024

[ 800 x 600 : 1024 x 768 : 1280 x 1024 ] 

 

Jacques Prevert Paris, 1955

 

[ 800 x 600 : 1024 x 768 : 1280 x 1024 ] 

 

Robert Doisneau Posters Buy a Poster

Robert Doisneau Wallpapers Page 1 : 2 ( go to photography )

Robert Doisneau, 1912~1994

Art Photography Gallery

img1.gif

 Robert Doisneau Photography Wallpaper

 

 Robert Doisneau - Le Baiser de l'Hotel de Ville, Paris, 1950

800 x 600 | 1024 x 768

Le Baiser de l'Hotel de Ville, Paris, 1950 By Robert Doisneau Photo

Jacques Prevert Paris 1955

Paris, 1950

Musician in The Rain

 

 

 

 Paris, 1956

 Avec Maurice Baquet/Paris1957

 Poiters Tradition

 

 

 

Kiss By The hotel De Ville

stampa in sali d'argento 1956

Pierrett D'Orient,1953

 

 

 

The cellist

Picasso at Notre-Dame

Picasso at Notre-Dame-d

About the Artwork

Robert Doisneau’s “Le Baiser de l’Hotel de Ville, Paris, 1950” captures the eternity of a passionate kiss that transcends time and locale. A photojournalist, Doisneau documented the French Resistance, shooting iconic images of Paris’ Occupation and Liberation and after the war was known for realistically portraying the everyday lives of ordinary people. A contributor to prominent magazines, including Life and Vogue, Doisneau provided images of hope after the dark days of World War II.

Robert Doisneau

Robert Doisneau

Robert Doisneau

Robert Doisneau

Robert Doisneau

Robert Doisneau

Robert Doisneau

Doisneau - La Tour Eiffel

 

Doisneau - La Tour Eiffel

 

Robert Doisneau - indignant woman

Robert Doisneau - Le Baiser de l'Hotel de Ville, Paris, 1950

Robert Doisneau - Paris Kiss

Robert Doisneau, 1980

Robert Doisneau, 1982 by Henri Cartier-Bresson

 

 

Robert Doisneau Poster

Buy a Book

Robert Doisneau Photos

Robert Doisneau photographed by Bracha L. Ettinger in his studio in Montrouge, 1992

Le Baiser de l’Hotel de Ville, Paris, 1950 . 2

Baiser Blottot 1950

Pipi Pigeon - 1964. Robert Doisneau

Robert Doisneau Posters

Bouquet of Jonquils Poster

Pipi Pigeon Poster

Les Pains de Picasso, c.1952 Poster

Jacques Prevert Paris, 1955 Poster

Kiss By The hotel De Ville

Pipi Pigeon

School Kids

Les Jambes du Métro, Paris, 1971

Champs de Mars Gardens

Paris, 1950

 

 

 

Robert Doisneau Posters

 

Robert Doisneau Photos

 

Robert Doisneau - Le Baiser de l'Hotel de Ville, Paris, 1950 . 2 . 3 . 4 . 5 . 6 . 7 . 8

 

Robert Doisneau, "Kiss by the Hotel de Ville," estate of Robert Doisneau, courtesy of SILVER Photo Agency

 

Le Baiser de l'Hotel de Ville, Paris, 1950 Art Photography

 

Robert Doisneau Photos Gallery

 

Robert Doisneau Wallpaper

 

Robert Doisneau Picasso Life

 

Robert Doisneau "Baisé Valsé" 1950

 

Robert Doisneau "Baiser Blottot" 1950

 

Robert Doisneau "Be-Bop en cave, Saint-Germain-des-Prés, Paris" 1951

 

Robert Doisneau "Mademoiselle Anita, La Boule Rouge" Octobre 1951

 

Robert Doisneau Photos

Photos Photographers Galleries

New York Times

Fashion Photography

New York Times 

Life - 70 Years 

 Fashion Photography

Eisenstaedt

 Man Ray

Scavullo 

World Famous Photography Galleries

Robert Doisneau Posters

 

Le Baiser de l'Hotel de Ville, Paris, 1950 - Robert Doisneau Posters

 

[ 800 x 600 : 1024 x 768 : 1280 x 1024 : 1600 x 1200 : 1680 x 1050 ]

 

 

 

 

 

Robert Doisneau Posters

ROBERT DOISNEAU
(Gentilly 1912 – 1994 Paris)

Photography Galleries

img1.jpg

Robert Doisneau "An Oblique Look" 1948

img12.jpg

Robert Doisneau, Pipi Pigeon

 

img13.jpg

Robert Doisneau, Musician in the Rain

img15.jpg

Robert Doisneau, Bouquet of Jonquils

img116.jpg

Robert Doisneau, Les Pains de Picasso

img117.jpg

Robert Doisneau, School Kids

img118.jpg

Robert Doisneau,  La Derniere Valse du 14 Juillet, 1949

imsg1.jpg

iwmg1.jpg

Photo Robert Doisneau

imgr21.jpg

Robert Doisneau Picasso Photos

img1ra.jpg

Quotes By:Robert Doisneau

Quotes:

"Nowadays people's visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will."

"Chance is the one thing you can't buy. You have to pay for it and you have to pay for it with your life, spending a lot of time, you pay for it with time, not the wasting of time but the spending of time."

"A hundredth of a second here, a hundredth of a second there -- even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity."

 

Robert Doisneau Photos Links



































































































 

DoisneauTableauLes HelicopteresDoisneauHandstands

 

user posted image
user posted image
user posted image

user posted image
user posted image

 

user posted image

user posted image



user posted image



]user posted image


user posted image

user posted image

user posted image


user posted image


user posted image


user posted image



user posted image


user posted image



user posted image


user posted image

user posted image



user posted image


user posted image


user posted image


user posted image

 

user posted image


user posted image


user posted image


user posted image


user posted image

user posted image

user posted image

user posted image



user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image


user posted image

user posted image

user posted image

user posted image


user posted image


user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image

user posted image
user posted image

user posted image

user posted image



Musique de chambre 1957


Les vingt ans de Josette 1946


Tour Eiffel 1932


Les enfants de la place Herbert 1957


Megève 1936


Les freres 1934


Les lilas de ménilmontant 1956


La Fontaine Wallace 1946


Les Ecoliers curieux 1953


L´Observateur a genoux 1956


La dent 1956


La porte plume 1956

Espero que lo hayais disfrutado

 



Baigneurs dans la Marne 1944


Baiser Blottot 1950


Ballade pour violoncelle 1957


Café noire et blanc 1948


Creatures de rêve 1952


La Danse de carpeaux 1972


La derniere valse du 14 Juillet 1949


Les amoreux aux oranges 1950


Le baiser de l'Hôtel de Ville 1950


Les banquistes 1944


Quai Branly 1961


Pique-nique 1950

Robert Doisneau Biography

Art Encyclopedia:

Robert Doisneau

(b Gentilly, Val-de-Marne, 14 April 1912; d Paris, 1 April 1994). French photographer. He attended the Ecole Estienne in Paris (1926-9), where he studied engraving, and after leaving the school he had various jobs designing engraved labels and other items. He found his training of little use, however, and soon began to experiment with photography, teaching himself the techniques. In 1931 he worked as an assistant to the photographer Andr? Vigneau. The following year Doisneau's series of photographs of a flea market in Paris was published in the periodical Excelsior. His early photographs have many of the features of his mature works: for example the seeming unawareness of the camera shown by the people in Sunday Painter (1932; see Trois secondes d'?ternit?, pl. 61) and the comic subject both add to the photograph's charm, a quality Doisneau valued greatly. In 1934 he obtained a job as an industrial photographer at the Renault factory in Billancourt, Paris, where he was required to take photographs of the factory interior and its machines as well as advertising shots of the finished cars. In the summer of 1939 he was dismissed for being repeatedly late and then worked briefly for the Rapho photographic agency in Paris, producing more photographs of the capital.

Photography Encyclopedia:Robert Doisneau

Doisneau, Robert (1912-94), French photographer. Born in Gentilly on the southern edge of Paris in 1912, Doisneau became a leading exponent of French humanist photography. He never moved away from the Parisian banlieue (suburbs), and famously turned down an invitation to join Magnum in 1947 because it would have meant considerable travel outside France, and more particularly Paris. He had also recently joined the Rapho agency and felt loyalty to its owner, Raymond Grosset.

The most Parisian of the humanists, Doisneau's work can be seen as a visual social history of the city, its people and culture, from the 1930s to the 1980s. He spent much of his life on projects that cover the life of its streets, the people and places that gave the city and its suburbs their identity. His pictures of lovers, children, and families are widely reproduced. Although widely known for a series of anecdotal, narrative pictures in which he used models to recreate a situation he had observed earlier—Un régard oblique, Le Baiser de l'Hôtel de Ville—his extraordinarily rich body of work was mainly produced ‘sur le vif’, plucked by chance from the stream of everyday life.

Many of his most famous photographs were self-commissions, the outcome of a long wait on a street corner, or a lengthy promenade through a series of locations which might prove productive. Doisneau preferred to describe himself as a pêcheur d'images (a ‘fisher’ of pictures) rather than to use the term commonly used for reportage photographers—chasseur d'images (picture hunter). The difference is significant. In order to make ‘my’ pictures, Doisneau said, ‘I had to “get wet”, to immerse myself in the life of the people whom I was photographing’. Such an approach yielded the most comprehensive and multifaceted self-portrait of his social class, the classe populaire, a self-portrait which also shows the photographer as a person woven into the fabric of his times.

Trained as an engraver, Doisneau took up photography in 1930-1 as the new technology of the small camera was emerging. With his precious Rolleiflex he fished the suburbs for images which expressed his rebelliousness towards authority and convention. A period as industrial and commercial photographer at Renault (1934-9) helped to define his political and social values, which were sorely tried during the Occupation, when he scratched a living as a photographer and forger for the Resistance. Typically, his pictures of the liberation of Paris emphasize its human, popular character.

The years 1945-60 were Doisneau's heyday. He produced books that are iconic works of French humanism, worked regularly as a photojournalist, notably for Vogue and Life, and enjoyed rich and creative friendships with writers, musicians, and artists. In the 1960s and 1970s he had to turn increasingly to industrial and commercial work, but continued his own almost obsessive documentation of social change in Paris. Rediscovered in the 1980s as the author of iconic images of the 1950s, but also as a gifted raconteur and writer, he had a final period of intense activity, especially as a portraitist, a role for which he possessed true genius.

— Peter Hamilton

Bibliography

  • Hamilton, P., Robert Doisneau: A Photographer's Life (1995)

Wikipedia:Robert Doisneau

Robert Doisneau (April 14, 1912, Gentilly, Val-de-Marne - April 1, 1994) was a French photographer noted for his frank and often humorous depictions of Paris street life.

Robert Doisneau was one of France's most popular and prolific reportage photographers. He was known for his modest, playful, and ironic images of amusing juxtapositions, mingling social classes, and eccentrics in contemporary Paris streets and cafes. Influenced by the work of Kertész, Atget, and Cartier-Bresson, in over 20 books Doisneau has presented a charming vision of human frailty and life as a series of quiet, incongruous moments. Doisneau has written: "The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street."

Among his most recognizable work is Le baiser de l'hôtel de ville (Kiss by the Hôtel de Ville), a photo of a couple kissing in the busy streets of Paris. The identity of the couple was a mystery until 1993, when Denise and Jean-Louis Lavergne took Doisneau to court for taking the picture without their knowledge. This action prompted Doisneau to reveal that he posed the shot in 1950 using actor/models Françoise Bornet and Jacques Carteaud.[1] Françoise was given an original print as part of her payment. In April 2005 she sold the print for 155,000 at an auction. Paris was one of the favorite photographic subjects of Doisneau.[2]

Doisneau's work gives unusual prominence and dignity to children's street culture; returning again and again to the theme of children at play in the city, unfettered by parents. His work treats their play with seriousness and respect. In his honour, and owing to this, there are several Ecole Primaire (Primary Schools) named after him. An example is at Veretz (Indre-et-Loire).

The Maison de la photographie Robert Doisneau in Gentilly, Val-de-Marne, is a photographic gallery named to commemorate Doisneau.

Chronology

  • 1994 Dies April 1 in Paris.
  • 1991 Introduced to the French author Daniel Pennac.
  • 1986 Meets the French journalist François Canna.
  • 1985 Produces portraits of personalities for the magazine Femme.
  • 1983 Introduced to French actress and producer Sabine Azéma, who would later make the film Bonjour Monsieur Doisneau.
  • 1984 Responsible for the topic of “New Urban Landscapes” for the photographic mission of DATAR.
  • 1975 Guest at the Meetings of Arles.
  • 1967 Travels to work in the USSR to work for the magazine Working Life.
  • 1960 Visits the United States to work in Hollywood and Palm Springs.
  • 1949-51 Receives contract with Vogue magazine.
  • 1947 Introduced to Bordeaux shipper Robert Giraud as well as the French poet Jacques Prévert.
  • 1946 Raymond Grosset re-establishes the Rapho, which had closed during World War II. Doisneau would go on to work with the agency for nearly fifty years.Works with the weekly publication, Action. Travels to Yugoslavia.
  • 1945 Works for the first time with Pierre Betz, editor for the magazine Le Point (published from 1936 to 1962).[3] Introduced to the Swiss poet and novelist Blaise Cendrars in Aix-en-Provence, France. Meets photographer Henri Cartier-Bresson, one of the founding members of the photographic agency Magnum Photos.
  • 1944 Introduced to French actor Maurice Baquet.
  • 1942 Meets renowned French typographer Maximilien Vox.
  • 1939 Introduced to The founder of the Rapho agency, Charles Rado. Begins working as a fully independent photographer.
  • 1934-38 Works as an industrial photographer at the Renault factories in Billancourt, France.
  • 1932 Images of a flea market are the first photographs sold to the daily publication, L’Excelsior.
  • 1931 Assistant to André Vigneau.
  • 1930 Draftsman at the Ulman Workshop.
  • 1926-29 Studies at Ecole Estienne in Paris and receives a diploma as an engraver-lithographer.
  • 1912 Born April 14 in Gentilly, France.

Awards

  • 1986 Balzac Prize
  • 1983 Grand Prix National de la Photographie
  • 1956 Niepce Prize
  • 1947 Kodak Prize

Exhibitions

  • 1947 Salon de la Photo, Bibliothèque, Paris.
  • 1951 Exhibition with Brassaї, Willy Ronis, and Izis, Museum of Modern Art, New York.
  • 1960 Solo exhibition, Museum of Modern Art, Chicago.
  • 1965 Exhibition with Daniel Frasnay, Jean Lattès, Jeanine Niépce, Roger Pic, and Willy Ronis, Six Photographes et Paris, Musée des Arts Decoratifs, Paris. Exhibition with Henri Cartier-Bresson and André Vigneau, Musée Réattu, Arles. Solo exhibition, Bibliothèque Nationale, Paris. Exhibition with D. Brihat, J. P. Sudre, and L. Clergue, Musée Cantini de Marseilles.
  • 1972 Solo exhibition, International Museum of Photography at George Eastman House, Rochester, New York. Exhibition with Edouard Boubat, Brassaї, Henri Cartier-Bresson, Izis, and Willy Ronis, French Embassy, Moscow.
  • 1974 Solo exhibition, University of California at Davis. Solo exhibition, Galerie du Château d’Eau, Toulouse.
  • 1975 Solo exhibition, Witkin Gallery, New York; Musée Réattu Arts Décoratifs, Nantes; Musée Réattu, Arles. Solo exhibition, Galerie et Fils, Brussels. Solo exhibition, fnac, Lyons. Group exhibition, Expression de l’humor, Boulogne Billancourt. Solo exhibition, Galerie Neugebauer, Basel.
  • 1976 Exhibition with Brassaї, Cartier-Bresson, Jean-Philippe Charbonnier, Izis, and Marc Riboud, Kraków.
  • 1977 Solo exhibition, Brussels. Exhibition with Guy la Querrec, Carlos Freire, Claude Raimond-Dityvon, Bernard Descamps, and Jean Lattès, Six Photographes en quête de banlieue, Centre Georges Pompidou, Paris.
  • 1978 Solo exhibition, Ne Bougeons plus, Galerie Agathe Gaillard, Paris. Solo exhibition, Witkin Gallery, New York. Solo exhibition, Musée Nicéphore Niépce, Charlon-sur-Saône.
  • 1979 Solo exhibition, Paris, les passants qui passent, Musée d’Art Moderne de la Ville de Paris.
  • 1980 Solo exhibition, Amsterdam.
  • 1981 Solo exhibition, Witkin Gallery, New York.
  • 1982 Solo exhibition, Portraits, Foundation Nationale de la Photopraphie, Lyons. Solo exhibition, French Embassy, New York. Solo exhibition, Robert Doisneau, Photographe de banlieue, Town Hall, Gentilly. Solo exhibition of 120 photographs, Palace of Fine Arts, Beijing. Exhibition of portraits, Tokyo. Solo exhibition, Robert Doisneau, Photographie du dimanche, Institut Lumière, Lyon.
  • 1986 Group exhibition, De Vogue à femme, Rencontres Internationales de la Photographie d’Arles.
  • 1987 Solo exhibition, St.-Denis, Musée de St.-Denis. Solo exhibition, The National Museum of Modern Art, Kyoto.
  • 1988 Solo exhibition, A Homage to Robert Doisneau, Villa Medicis, Rome.
  • 1989 Solo exhibition, Doisneau-Renault, Grande Halle de la Villette, Paris.
  • 1990 Solo exhibition, La Science de Doisneau, Jardin des Plantes, Paris.
  • 1992 Solo exhibition, Robert Doisneau: A Retrospective.
  • 1993 The Summerlee Heritage Trust, Coatbridge, Scotland; Royal Festival Hall, London; Manchester City Art Gallery; O Mes da Fotografie Festival, Convento do Beato, Lisbon, Portugal. Musée Carnavalet, Paris.
  • 1994 Musée d’Art Contemporain de Montréal, Canada; Galway Arts Centre, Ireland. Solo exhibition, A Homage to Robert Doisneau, Galerie du Château d’Eau à Toulouse. Solo exhibition, Doisneau 40/44, Centre d’Histoire de la Résistance et de la Déportation de Lyon, Lyon, France. Solo exhibition, Robert Doisneau ou la désobéissance, Ecomusée de Fresnais.
  • 1995 Museum of Modern Art, Oxford, England; Aberdeen Art Gallery, Scotland; The Mead Gallery, Warwick Arts Centre, Coventry.
  • 1996 Solo exhibition, Montpellier Photo-Visions, Galerie Municipale de la Photographie; Isetan Museum of Art, Tokyo; Daimaru Museum, Osaka, Japan.
  • 2000 Exhibition, Gravités, Paris.
  • 2001 Exhibition, Gallerie Claude Bernard, Paris.
  • 2002 Exhibition, Santiago, Chile.
  • 2003 Exhibition, Budapest, Hungary. Exhibition, Bucarest, Romania.
  • 2004 Exhibition, Gallerie Claude Bernard, Paris.
  • 2005 Solo Exhibition, Robert Doisneau from the Fictional to the Real, Bruce Silverstein, New York.

Publications

  • Paris délivré par son peuple. Paris: Braun: c.1944.
  • La Banlieue de Paris. Text by Blaise Cendrars. Paris: Éditions Pierre Seghers, 1949.
  • L'Enfant de Paris. Text by Claude Roy. Neuchâtel: La Baconnière, 1951.
  • Sortilèges de Paris. Text by François Cali. Paris: Arthaud, 1952.
  • Les Parisiens tels qu’ils sont. Text by Robert Giraud and Michel Ragon. Paris: Delpire, 1954.
  • Instantanés de Paris. Preface by Blaise Cendrars. Paris: Arthaud, 1955.
  • 1, 2, 3, 4, 5, Compter en s’amusant. Lausanne: La Guilde du Livre, 1955.
    • 1, 2, 3, 4, 5. Text by Arthur Gregor. Philadelphia: Lippincott, 1956.
    • 1, 2, 3, 4, 5. Text by Elsie May Harris. London: Nelson, 1962.
  • Pour que Paris soit. Text by Elsa Triolet. Paris: Éditions Cercle d’Art, 1956.
  • Gosses de Paris. Text by Jean Dongués. Paris: Éditions Jeheber, 1956.
  • Robert Doisneau's Paris: 148 Photographs. Text by Blaise Cendrars. New York: Simon & Schuster, 1956.
    • Paris Parade: 148 Photographs. London: Thames & Hudson, 1956.
  • Le ballet contre l'opéra. Souillac, Lot: Mulhouse, 1956.
  • A.B.C. du dépannage. N.p.: Société des pétroles Shell Berre, 1958.
  • Bistrots. Text by Robert Giraud. Le Point: Revue artistique et littéraire, 57. Souillac, Lot: Mulhouse, 1960.
  • Arabie, carrefour des siècles: Album. Text by Jacques Benoist-Méchin. Lausanne: La Guilde du livre, 1961.
  • Nicolas Schöffer. Text by Guy Habasque and Jacques Ménétrier. Neuchâtel: Éditions du Griffon, 1962.
  • Cognac. Text by Georges Vial. Cognac: Rémy Martin, 1960 (?). (English)
  • Marius, le forestier. Text by Dominique Halévy. Les hommes travaillent. Paris: Éditions Fernand Nathan, 1964.
  • Henri Cartier-Bresson, Robert Doisneau, André Vigneau: Trois photographes français. Arles: Musée Réattu, 1965. Catalogue of an exhibition at Musée Réattu of Doisneau, Henri Cartier-Bresson, and André Vigneau.
  • Épouvantables Épouvantails. Paris: Éditions Hors Mesure, 1965.
  • Le Royaume d’argot. Text by Robert Giraud. Paris: Denoël, 1966.
    • Le Royaume secret du milieu. Paris: Éditions Planète, 1969.
  • Catherine la danseuse. Text by Michèle Manceaux. Paris: Éditions Fernand Nathan, 1966.
  • L'École polytechnique. Loos-lez-Lille: L. Danel, 1967.
  • L'Oeil objectif. Marseille: Musée Cantini, 1968. Catalogue of an exhibition at Musée Cantini by Doisneau, Denis Brihat, Lucien Clergue, and Jean-Pierre Sudre.
  • Le Royaume secret du milieu. Text by Robert Giraud. Paris: Éditions Planète, 1969.
  • 1972 My Paris. Text: Chevalier, Maurice. Macmillan Publishers. New York.
  • 1974 Le Paris de Robert Doisneau et Max-Pol Fouchet. Les éditeurs français réunis. France.
  • 1978 L’Enfant à la Colombe. Text: Sage, James. Editions of the Oak. Paris. La Loire. Denoël. Paris.
  • 1979 Le Mal de Paris. Text: Lépidis, Clément. Arthaud Publications. Paris. Trois Secondes d’éternité. Contrejour. Paris.
  • 1980 Ballade pour Violoncelle et Chambre Noir. Co-author: Baquet, Maurice. Herscher Editions. Paris.
  • 1981 Robert Doisneau. Text: Chevrier, Jean-François. Belfond Editions. Paris.
  • 1982 Passages et Galeries du 19ème Siècle. Text: Delvaille, Bernard. Éditions Baslland. Paris.
  • 1983 Doisneau. Photopoche, Centre National de la Photographie. France.
  • 1985 Paysages, Photographies. (mission photography for DATAR) Éditions Hazan. Paris.
  • 1986 Un Certain Robert Doisneau. Editions of the Oak. Paris.
  • 1987 Pour saluer Cendrars. Text: Camilly, J. Actes Sud. Arles, France.
  • 1988 60 portraits d/artists. Text: Petit, Jean. Hans Grieshaber Publications. Zürich. Doisneau. Quotations by Doisneau collected by Maisonneuve, Andre. Éditions Hazan. Paris, France. Bonjour Monsieur Le Corbusier. Text: Petit, Jean. Hans Grieshaber Publications. Zürich.
  • 1989 A l’imparfait de l’objectif. Belfond Editions. Paris. Les Doigts Pleins d’encre. Text: Cavanna. Hoëbeke Editions. Paris.
  • 1990 La Science de Doisneau. Hoëbeke Editions. Paris. Les Auvergnats. (with Dubois, Jaques) Nathan Images. Paris. Lettres à un Aveugle sur des Photographies de Robert Doisneau. Text: Roumette, Sylvain. Le Tout sur le tout/Le Temps qu’il fait. Paris.
  • Le Vin des rues. Text by Robert Giraud. Paris: Denoël, 1990.
  • 1991 Rue Jacques Prévert. Hoëbeke Editions. Paris, France. La Compagnie des Zincs. Text: Carradec, François Carradec. Seghers. Paris.
  • 1992 Les Grandes Vacances. Text: Pennac, Daniel. Hoëbeke Editions. Paris.
  • 1992 Mes gens de Plume. Writings by Doisneau collected by Dubois, Y. Éditions La Martinière. France.
  • 1993 Les Enfants de Germinal. Text: Cavanna. Hoëbeke Editions. Paris.
  • 1994 Doisneau 40/44. Text: Ory, Pascal. Hoëbeke Editions. Paris.
  • 1994 La Vie de Famille. Text: Ory, Pascal. Hoëbeke Editions. Paris.
  • 1995 Robert Doisneau ou la Vie d’un photographie. Text: Hamilton, Peter. Hoëbeke Editions. Paris.
  • 1997 Mes Parisiens. Nathan Publications. Paris.

External links

References