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Robert Doisneau photographed by Bracha L. Ettinger in his studio in Montrouge, 1992

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Baiser Blottot 1950

Pipi Pigeon - 1964. Robert Doisneau

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Kiss Wallpaper B&W Photogrpahy 01

Le Baiser de l'Hotel de Ville, Paris, 1950 - Robert Doisneau Print

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Robert Doisneau Posters - Le Baiser de l'Hotel de Ville, Paris, 1950 Photo

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 Robert Doisneau Posters

Robert Doisneau Photos

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Robert Doisneau Picasso Photos

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Jacques Prévert, Paris, 1955 Robert Doisneau

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Essayez nos pédalos, 1945 by Robert Doisneau

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La Tour Eiffel en liberté, 1969 by Robert Doisneau

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Venus grabbed by the throat, 1964 by Robert Doisneau

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Paris, cats, at night

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Rue Marcellin Berthelot - Choisy-le-Roi - 1945

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Cabriolet - France - 1936

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Children in the Palais-Royal garden - 1950

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Champ de Mars gardens - 1944

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Child, cat and Dove, 1964

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 Les jambes du métro, Paris, 1971 by Robert Doisneau

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The children of Place Hebert, 1957 by Robert Doisneau

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Photo Robert Doisneau

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Robert Doisneau Picasso Photos

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More Robert Doisneau Photos

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Robert Doisneau - "Le Muguet du Métro" (Marc and Christiane Chevalier in the Paris Metro)

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Robert Doisneau - Jacques Prévert in a Telephone Booth

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Robert Doisneau - Motorcyclists, Porte de Orlean, Paris

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Robert Doisneau - Smoky Scene in a Paris Bar

Quotes By:Robert Doisneau

Quotes:

"Nowadays people's visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will."

"Chance is the one thing you can't buy. You have to pay for it and you have to pay for it with your life, spending a lot of time, you pay for it with time, not the wasting of time but the spending of time."

"A hundredth of a second here, a hundredth of a second there -- even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity."

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Robert Doisneau Photos 1

Robert Doisneau, Kiss by the Hotel de Ville,1950

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Robert Doisneau Photos 2

Robert Doisneau, The Cellist,1957

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By the railings around the Luxembourg Gardens Robert Doisneau 1953

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Robert Doisneau Photos 3

Robert Doisneau, Un Regard Oblique,1948

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Robert Doisneau Photos 4

By the railings around the Luxembourg GardensRobert Doisneau 1953

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Robert Doisneau Photos 5

Les Enfants de la Place Hebert

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Robert Doisneau Photos 6

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Robert Doisneau Photos 7

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Musician in Rain

Robert Doisneau Photos 8

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Kiss by the Hotel de Ville 1958

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Robert Doisneau, Paris

Robert Doisneau Photos 9

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Les jambes du métro, Paris, 1971

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Robert Doisneau Photos - 1 . 2 . 3 . 4 . 5 . 6 . 7 . 8 . 9 . 10 . 11 . 12 . 13 . 14 . 15

Robert Doisneau Wiki

Robert Doisneau (April 14, 1912, Gentilly, Val-de-Marne - April 1, 1994) was a French photographer noted for his frank and often humorous depictions of Paris street life.

Robert Doisneau was one of France's most popular and prolific reportage photographers. He was known for his modest, playful, and ironic images of amusing juxtapositions, mingling social classes, and eccentrics in contemporary Paris streets and cafes. Influenced by the work of Kertész, Atget, and Cartier-Bresson, in over 20 books Doisneau has presented a charming vision of human frailty and life as a series of quiet, incongruous moments. Doisneau has written: "The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street."

Among his most recognizable work is Le baiser de l'hôtel de ville (Kiss by the Hôtel de Ville), a photo of a couple kissing in the busy streets of Paris. The identity of the couple was a mystery until 1993, when Denise and Jean-Louis Lavergne took Doisneau to court for taking the picture without their knowledge. This action prompted Doisneau to reveal that he posed the shot in 1950 using actor/models Françoise Bornet and Jacques Carteaud.[1] Françoise was given an original print as part of her payment. In April 2005 she sold the print for 155,000 at an auction. Paris was one of the favorite photographic subjects of Doisneau.[2]

Doisneau's work gives unusual prominence and dignity to children's street culture; returning again and again to the theme of children at play in the city, unfettered by parents. His work treats their play with seriousness and respect. In his honour, and owing to this, there are several Ecole Primaire (Primary Schools) named after him. An example is at Veretz (Indre-et-Loire).

The Maison de la photographie Robert Doisneau in Gentilly, Val-de-Marne, is a photographic gallery named to commemorate Doisneau.

Robert Doisneau was one of France's most well known photographers. He is best known for his street photography and the many playful images in everyday French life. His photographs over the course of several decades provide people with a great record of French life. He has published over twenty books with realistic and charming pictures of personal moments in the lives of individuals. One of his famous quotes is: "The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street." Robert Doisneau was born on April 14, 1912 in Gentilly in the suburbs of Paris. Not much is know about his childhood. At age thirteen he enrolled at the Ecole Estienne, this was craft school where he studied engraving and lithography. This is where he had his first contacts with the arts. He also took classes in life drawing and still life. With his old-fashioned training, he had great difficulty obtaining work as a lithographer. By the end of the nineteen twenties, Robert Doisneau was working at the graphics studio of Atelier Ullmann. This is where he begun making his firsts experiments with photography. In 1931 he left advertising and took a job as an assistant with the modernist photographer André Vigneau. He sold his first photo story to the Excelsior newspaper in 1932. In 1934 he married Pierette Chaumaison. That same year he began working as an industrial advertising photographer for the Renault car factory. This job increased Robert Doisneau’s interest in working with photography and people. In 1991 he was interviewed and admitted that the years at the Renault car factory marked “the beginning of his career as a photographer and the end of his youth.” Five years later, in 1939, he was fired for being constantly late. He was forced to try freelance advertising and postcard photography to earn his living. Postcard photography in France at that time had Europe’s largest industry. Post cards served the purpose of modern greetings as well as vacation souvenirs. That same year he was hired by the Rapho photo agency. He travelled throughout France in search of picture stories. This is where he took his first professional street photographs. He worked there for several months until the out break of the Second World War. Robert Doisneau was drafted into war in 1939, he served the country both as a soldier and as a photographer. He was in war until 1940 and continued working for the resistance until the end of the war in 1945. He used his engraving skills to forge passports and identification papers for the French resistance.

In 1950, Robert Doisneau photographed his most famous photograph, “Kiss by the Hotel de Ville." This photograph has been reproduced by the millions and is perhaps the most famous French photograph. It became a symbol of young love in Paris which is the city most associated with love. This photograph of two lovers kissing in a Paris street was made for LIFE magazine. It was an image of post- war France, and a great representation of Robert Doisneau’s work. He explained that “his photographs show the world as he would like it to be.” That same year he also photographed famous many artists including Giacometti, Cocteau, Leger, Braque, and Picasso. The Fifties were Robert Doisneau's peak, and then the Sixties were to be his wilderness years. In the seventies, times in Europe begun to change. Editors began to look for new reportage that would show the sense of a new social era. All over Europe, the old-style picture magazines were closing as television got the public's attention. But Robert Doisneau continued to work, producing books for children and returning to advertising photography and celebrity portraits. In the summer of 1993, an elderly French couple, Jean-Louis and Denise Lavergne, went to a French court to claim their share in the earnings from Robert Doisneau’s famous photo “Kiss by the Hotel de Ville”. They incited they had been the couple who was photographed that day in 1950. By the time they began the lawsuit, the photograph had earned over 50,000 pounds in print sales alone, not including reproduction fees for many thousands of posters, postcards and even a jigsaws. The Lavergnes' lawsuit eventually led Robert Doisneau to confess that the young lovers in “The Kiss” were actors hired to pose for the picture, under his direction. The young models, Francoise Bornet and Jacques Carteaud, now in their sixties, also pressed for their share from the sales of the photograph. Robert Doisneau showed us not the real Paris, but rather the one that he had always believed was really there. He won several awards through out his life, some of these being the Balzac Prize in 1986, the Grand Prix National de la Photographie in1983, the Niepce Prize in 1956 and the Kodak Prize in 1947. A short film, "Le Paris de Robert Doisneau", was made in 1973. The photography of Robert Doisneau has had a revival in the last ten years or so. Many of his portraits and photos of Paris from the end of World War II through the 1950's have been turned into calendars and postcards and have becomes icons of French life. Doisneau was in many ways a shy and humble man, like his photography. He lived in the Paris his whole life and died in 1994.

Chronology

  • 1994 Dies April 1 in Paris.
  • 1991 Introduced to the French author Daniel Pennac.
  • 1986 Meets the French journalist François Canna.
  • 1985 Produces portraits of personalities for the magazine Femme.
  • 1983 Introduced to French actress and producer Sabine Azéma, who would later make the film Bonjour Monsieur Doisneau.
  • 1984 Responsible for the topic of “New Urban Landscapes” for the photographic mission of DATAR.
  • 1975 Guest at the Meetings of Arles.
  • 1967 Travels to work in the USSR to work for the magazine Working Life.
  • 1960 Visits the United States to work in Hollywood and Palm Springs.
  • 1949-51 Receives contract with Vogue magazine.
  • 1947 Introduced to Bordeaux shipper Robert Giraud as well as the French poet Jacques Prévert.
  • 1946 Raymond Grosset re-establishes the Rapho, which had closed during World War II. Doisneau would go on to work with the agency for nearly fifty years.Works with the weekly publication, Action. Travels to Yugoslavia.
  • 1945 Works for the first time with Pierre Betz, editor for the magazine Le Point (published from 1936 to 1962).[3] Introduced to the Swiss poet and novelist Blaise Cendrars in Aix-en-Provence, France. Meets photographer Henri Cartier-Bresson, one of the founding members of the photographic agency Magnum Photos.
  • 1944 Introduced to French actor Maurice Baquet.
  • 1942 Meets renowned French typographer Maximilien Vox.
  • 1939 Introduced to The founder of the Rapho agency, Charles Rado. Begins working as a fully independent photographer.
  • 1934-38 Works as an industrial photographer at the Renault factories in Billancourt, France.
  • 1932 Images of a flea market are the first photographs sold to the daily publication, L’Excelsior.
  • 1931 Assistant to André Vigneau.
  • 1930 Draftsman at the Ulman Workshop.
  • 1926-29 Studies at Ecole Estienne in Paris and receives a diploma as an engraver-lithographer.
  • 1912 Born April 14 in Gentilly, France.

[edit] Awards

  • 1986 Balzac Prize
  • 1983 Grand Prix National de la Photographie
  • 1956 Niepce Prize
  • 1947 Kodak Prize

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