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Frida Kahlo(1910-1954)

"...I paint my own reality, The only thing I know is that I paint because I need to,and I paint whatever passes through my head without any consideration..." - Frida

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Frida Kahlo Biography

Who2 Biography:Frida Kahlo, Artist

Born: 6 July 1907
Birthplace: Mexico City, Mexico
Died: 13 July 1954
Best Known As: Mexico's most famous woman artist

Frida Kahlo is one of Mexico's most famous artists and also something of a feminist icon, celebrated for her passionate indomitability in the face of life's trials. She's best known for her daring self-portraits depicting the suffering she experienced in her personal life. As a child Kahlo had polio; at the age of 18 she broke her right leg and pelvis in a horrific bus accident, leading to a lifetime of chronic pain. Partially immobile after the accident, Kahlo began painting in the late 1920s. She married famed muralist Diego Rivera in 1929 and together they travelled to the United States, staying in Detroit and New York City in the early 1930s. In the late 1930s Kahlo had exhibitions of her paintings in New York City and Paris and associated with some of the most famous painters in the world. Kahlo and Rivera were both known for their extramarital affairs (Kahlo supposedly was a lover of Leon Trotsky) and in 1940 they divorced for a short time before remarrying. During the '40s Kahlo gained international recognition for her colorful and sometimes gruesome paintings (as well as for her bold public persona), but she continued to have health problems. She died in 1954 just after her 47th birthday.

Britannica Concise Encyclopedia:

(born July 6, 1907, Coyoacán, Mex. — died July 13, 1954, Coyoacán) Mexican painter. The daughter of a German Jewish photographer, she had polio as a child and at 18 suffered a serious bus accident. She subsequently underwent some 35 operations; during her recovery, she taught herself to paint. She is noted for her intense self-portraits, many reflecting her physical ordeal. Like many artists working in post-revolutionary Mexico, Kahlo was influenced by Mexican folk art; this is apparent in her use of fantastical elements and bold use of colour, and in her depictions of herself wearing traditional Mexican, rather than European-style, dress. Her marriage to painter Diego Rivera (from 1929) was tumultuous but artistically rewarding. The Surrealists André Breton and Marcel Duchamp helped arrange exhibits of her work in the U.S. and Europe, and though she denied the connection, the dreamlike quality of her work has often led historians to identify her as a Surrealist. She died at 47. Her house in Coyoacán is now the Frida Kahlo Museum.

For more information on Magdalena Carmen Frida Kahlo y Calderón de Rivera, visit Britannica.com.

Biography:Frida Kahlo

Frida Kahlo (1907-1954) was a Mexican painter often associated with the European Surrealists as well as with her husband, Mexican muralist Diego Rivera. She was noted for her intense autobiographical paintings.

Frida Kahlo, was born in Coyoacán, a suburb of Mexico City, in 1907, the daughter of a German-Jewish photographer and an Indian-Spanish mother. Despite her European background, Kahlo identified all her life with New World, Mexican heritage, dressing in native clothing wherever she travelled. Injured in a bus accident at the age of 15, Kahlo was disabled for life. After numerous operations to correct her spinal and internal injuries, she eventually became an invalid prior to her death at the age of 47. Like her husband, the muralist Diego Rivera, Kahlo maintained a life-long commitment to leftist politics, and in the 1930s she accompanied him on several trips to the United States where he was commissioned to do murals in New York, Detroit, and San Francisco. The most controversial of these was a mural for Rockefeller Center which was cancelled because it included a portrait of Lenin that Rivera refused to remove. Kahlo died in Mexico City in 1954.

Unlike Rivera's murals, which were grandiose and filled with political ideology, Kahlo's work was intimate, personal, and in the tradition of easel painting. Usually autobiographical, she painted the events of her life with symbolic elements and situations, creating a dreamlike reality, frighteningly real but fantastic and magical. One painting, Broken Column (1944), shows the artist against a bleak desert landscape with her flesh cut away to reveal a cracked classical column in place of her spine, a painful record of her life-long struggle with the psychological and physical aftermath of her accident. Another, The Wounded Deer (1946), shows Kahlo as a deer with her own human head, shot full of arrows in a mysteriously forlorn forest with a body of water in the background. She painted many self-portraits throughout her life.

Kahlo incorporated elements of Mexican folk art into her paintings. Thematic content often takes precedence over a fidelity to realism, and the scale of things represents symbolic relationships rather than physical ones. Reoccurring themes of earthly suffering and the redemptive cycle of nature reflect the mixture of Spanish Catholicism and Indian religion prominent in Mexican culture. Kahlo's color, while naturalistic, is flat and dramatic.

The French Surrealist poet Andre Breton, who lived for a while in Mexico, claimed Kahlo as a Surrealist. She bristled at this association with artists living thousands of miles away and working with psychoanalytic theories of the subconscious. She claimed, "Breton thought I was a Surrealist but I wasn't. I never painted dreams. I painted my own reality." She did, however, show at the Julian Levy Gallery in New York, known for showing Surrealism, and she travelled to Paris at Breton's urging to show her work.

Early in her life her work and reputation as an artist were overshadowed by her relationship to Rivera, who was older and famous before they met. She also seemed conflicted by her sense of duty to him as a wife. In the late 1930s she asserted her independence from him, and in 1939 they were divorced, only to be remarried a short time later. This event served as an important theme in her work of the period. In contrast to Rivera, who was relatively wealthy from his work, Kahlo had great difficulties supporting herself from the sale of her paintings.

Together they led a flamboyant life in Mexico and during their trips to the United States. They were at the center of Mexican cultural life in the 1920s and 1930s when Mexican artists and intellectuals were rediscovering their own heritage and rejecting European ties. This desire for a Mexican art came in part from an interest in leftist politics. Kahlo was a life-time member of the Communist Party, which believed that art should serve the Mexican masses rather than a European elite. Unlike Rivera, Kahlo was not a muralist, but later in her life, when she was asked to teach in an important state art school, she organized teams of students to execute public works.

During her life Frida Kahlo received more recognition as a painter in the United States than in Mexico. She was included in several important group exhibitions, including "Twenty Centuries of Mexican Art" at the Museum of Modern Art and a show of women artists at Peggy Guggenheim's Art of This Century Gallery in New York. Her first one-person show in Mexico at the Galeria Arte Contemporaneo occurred only one year before her death and in part because her death was anticipated. After her death in 1954 her reputation grew in Mexico and diminished in the United States, a time when communists and their sympathizers were discredited. Diego Rivera himself is less known in the United States now than in the 1930s.

Like many prominent women artists of her generation, such as Louise Nevelson and Georgia O'Keefe, Frida Kahlo's art was individualistic and stood apart from mainstream work. They were often overlooked by critics and historians because they were women and outsiders and because their art was difficult to fit into movements and categories. Kahlo has received increased attention since the 1970s as objections to her politics have softened and as interest grows about the role of women artists and intellectuals in history. Concepts of modernism are also being expanded to encompass an uninterrupted strain of figurative art throughout the 20th century, into which Kahlo's painting smoothly fits. Frida Kahlo was the subject of major retrospective exhibitions in the United States in 1978-1979 and in 1983 and in England in 1982.

Childhood and family

Frida Kahlo was born on July 6, 1907 in the house of her parents, known as La Casa Azul (The Blue House), in Coyoacán. At the time, it was a small town on the outskirts of Mexico City.

Her father, Guillermo Kahlo (1871–1941), was born Carl Wilhelm Kahlo in Pforzheim, Germany, the son of Henriette Kaufmann and Jakob Heinrich Kahlo. While Frida herself maintained that her father was of Hungarian-Jewish ancestry,^[6] researchers have established that Guillermo Kahlo's parents were not Jewish but Lutheran Germans.^[7] Guillermo Kahlo sailed to Mexico in 1891 at the age of nineteen and, upon his arrival, changed his German forename, Wilhelm, to its Spanish equivalent, 'Guillermo'.

Frida's mother, Matilde Calderón y Gonzalez, was a devout Catholic of primarily indigenous, as well as Spanish descent.^[8] Frida's parents were married shortly after the death of Guillermo's first wife during the birth of her second child. Although their marriage was quite unhappy, Guillermo and Matilde had four daughters, with Frida being the third. She had two older half sisters. Frida remarked that she grew up in a world surrounded by females. Throughout most of her life, however, Frida remained close to her father. Her family remains a presence in the artistic world to this date; the actress, writer and singer Dulce María is her great grand-niece.

The Mexican Revolution began in 1910 when Kahlo was three. Later Kahlo claimed that she was born in 1910 so people would directly associate her with the revolution. In her writings, she recalled that her mother would usher her and her sisters inside the house as gunfire echoed in the streets of her hometown. Occasionally, men would leap over the walls into their backyard and sometimes her mother would prepare a meal for the hungry revolutionaries.

Kahlo contracted polio at age six, which left her right leg thinner than the left, which Kahlo disguised by wearing long, colorful skirts. It has been conjectured that she also suffered from spina bifida, a congenital disease that could have affected both spinal and leg development.^[9] As a girl, she participated in boxing and other sports. In 1922, Kahlo was enrolled in the Preparatoria, one of Mexico's premier schools, where she was one of only thirty-five girls. Kahlo joined a clique at the school and fell in love with the leader, Alejandro Gomez Arias. During this period, Kahlo also witnessed violent armed struggles in the streets of Mexico City as the Mexican Revolution continued.

On September 17, 1925, Kahlo was riding in a bus when the vehicle collided with a trolley car. She suffered serious injuries in the accident, including a broken spinal column, a broken collarbone, broken ribs, a broken pelvis, eleven fractures in her right leg, a crushed and dislocated right foot, and a dislocated shoulder. An iron handrail pierced her abdomen and her uterus, which seriously damaged her reproductive ability.

Although she recovered from her injuries and eventually regained her ability to walk, she was plagued by relapses of extreme pain for the remainder of her life. The pain was intense and often left her confined to a hospital or bedridden for months at a time. She underwent as many as thirty-five operations as a result of the accident, mainly on her back, her right leg and her right foot.

Career as painter

Frida Kahlo with Diego Rivera in 1932, by Carl Van Vechten.

After the accident, Kahlo turned her attention away from the study of medicine to begin a full-time painting career. The accident left her in a great deal of pain while she recovered in a full body cast; she painted to occupy her time during her temporary state of immobilization. Her self-portraits became a dominant part of her life when she was immobile for three months after her accident. Kahlo once said, "I paint myself because I am often alone and I am the subject I know best." Her mother had a special easel made for her so she could paint in bed, and her father lent her his box of oil paints and some brushes.^[10]

Drawing on personal experiences, including her marriage, her miscarriages, and her numerous operations, Kahlo's works often are characterized by their stark portrayals of pain. Of her 143 paintings, 55 are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. She insisted, "I never painted dreams. I painted my own reality."

Kahlo was influenced by indigenous Mexican culture, which is apparent in her use of bright colors and dramatic symbolism. She frequently included the symbolic monkey. In Mexican mythology, monkeys are symbols of lust, but Kahlo portrayed them as tender and protective symbols. Christian and Jewish themes are often depicted in her work.^{[citation
needed]}

She combined elements of the classic religious Mexican tradition with surrealist renderings. Kahlo created a few drawings of "portraits," but unlike her paintings, they were more abstract. She did one of her husband, Diego Rivera,^[11] and of herself.^[12] At the invitation of André Breton, she went to France in 1939 and was featured at an exhibition of her paintings in Paris. The Louvre bought one of her paintings, The Frame, which was displayed at the exhibit. This was the first work by a 20th century Mexican artist ever purchased by the internationally renowned museum.

Marriage

Malú Block (left), Frida Kahlo (center) and Diego Rivera photographed by Carl Van Vechten in 1932.

As a young artist, Kahlo approached the Mexican painter, Diego Rivera, whose work she admired, asking him for advice about pursuing art as a career. He recognized her talent and her unique expression as truly special and uniquely Mexican.^{[citation
needed]} He encouraged her artistic development and began an intimate relationship with Frida. They were married in 1929, despite the disapproval of Frida's mother.

Their marriage was often tumultuous. Kahlo and Rivera had fiery temperaments and had numerous extramarital affairs. The openly bisexual Kahlo had affairs with both men and women, including Josephine Baker;^[2] Rivera knew of and tolerated her relationships with women, but her relationships with men made him jealous. For her part, Kahlo was furious when she learned that Rivera had an affair with her younger sister, Cristina. The couple eventually divorced in November 1939, but remarried in December 1940. Their second marriage was as turbulent as the first. Their living quarters often were separate, although sometimes adjacent.^{[citation
needed]}

Later years and death

Frida Kahlo. The Suicide of Dorothy Hale. 1939. Oil on masonite. 60.4 x 48.6 cm. The Phoenix Art Museum, Phoenix, Arizona, USA

the legend translated:

In the city of New York on the twenty-first day of the month of October, 1938, at six o'clock in the morning, Mrs. Dorothy Hale committed suicide by throwing herself out of a very high window of the Hampshire House building. In her memory [Mrs. Clare Booth Luce commissioned]^[13] this retablo, executed by Frida Kahlo."^[14]

Active communist sympathizers, Kahlo and Rivera befriended Leon Trotsky as he sought political sanctuary from Joseph Stalin's regime in the Soviet Union during the late 1930s. In 1937 initially, Trotsky lived with Rivera and then at Kahlo's home (where he had an affair with Kahlo)^[2]. Trotsky and his wife then moved to another house in Coyoacán where, later, in 1940 he was assassinated.

A few days before Frida Kahlo died on July 13, 1954, she wrote in her diary: "I hope the exit is joyful — and I hope never to return — Frida".^[2] The official cause of death was given as a pulmonary embolism, although some suspected that she died from an overdose that may or may not have been accidental.^[2] An autopsy was never performed. She had been very ill throughout the previous year and her right leg had been amputated at the knee, owing to gangrene. She had a bout of bronchopneumonia near that time, which had left her quite frail.^[2]

Later, in his autobiography, Diego Rivera wrote that the day Kahlo died was the most tragic day of his life, adding that, too late, he had realized that the most wonderful part of his life had been his love for her.^[2]

A pre-Columbian urn holding her ashes is on display in her former home, La Casa Azul (The Blue House), in Coyoacán, which since 1958 has been maintained as a museum housing a number of her works of art and numerous relics from her personal life.^[2]

Posthumous recognition

La Casa Azul in Coyoacán (photo taken in 2005).

Kahlo's work was not widely recognized until decades after her death. Often she was popularly remembered only as Diego Rivera's wife. It was not until the early 1980s, when the artistic movement in Mexico known as Neomexicanismo began, that she became very prominent.^[15] This movement recognized the values of contemporary Mexican culture; it was the moment when artists such as Kahlo, Abraham Ángel, Ángel Zárraga, and others became household names and Helguera's classical calendar paintings achieved fame.^[15]

During the same decade other factors helped to establish her success. The first retrospective of Frida Kahlo’s work outside Mexico (exhibited alongside the photographs of Tina Modotti) opened at the Whitechapel Gallery in London in May 1982, organized and co-curated by Peter Wollen and Laura Mulvey. The exhibition was also shown in Sweden, Germany, New York and Mexico City. The movie Frida, naturaleza viva (1983), directed by Paul Leduc with Ofelia Medina as Frida and painter Juan José Gurrola as Diego, was a huge success. For the rest of her life, Medina has remained in a sort of perpetual Frida role.^[16] Also during the same time, Hayden Herrera published a determinant and influential biography: Frida: The Biography of Frida Kahlo, which became a worldwide bestseller. Raquel Tibol, a Mexican artist and personal friend of Frida, wrote Frida Kahlo: una vida abierta ^[17]. Other works about her include a biography by Mexican art critic and psychoanalist Teresa del Conde and texts by other Mexican critics and theorists, such as Jorge Alberto Manrique.^[15]

On June 21, 2001, she became the first Hispanic woman to be honored with a U.S. postage stamp.^[18]

In 2002, the American biographical film Frida, directed by Julie Taymor, in which Salma Hayek portrayed the artist, was released.^[19] The film was based on Herrera's book. It grossed US$ 58 million worldwide.^[19]

In 2006, Kahlo's 1943 painting Roots set a US$ 5.6 million auction record for a Latin American work.^[20]

The 2009 novel by Barbara Kingsolver, "The Lacuna," prominently features Kahlo, her life with Rivera, and her affair with Trotsky.

Centennial celebrations

The 100th anniversary of the birth of Frida Kahlo honored her with the largest exhibit ever held of her paintings at the Museum of the Fine Arts Palace, Kahlo's first comprehensive exhibit in Mexico.^[21] Works were on loan from Detroit, Minneapolis, Miami, Los Angeles, San Francisco, and Nagoya, Japan. The exhibit included one-third of her artistic production, as well as manuscripts and letters that had not been displayed previously.^[21] The exhibit was open June 13 through August 12, 2007 and broke all attendance records at the museum.^[22] Some of her work was on exhibit in Monterrey, Nuevo León, and moved in September 2007 to museums in the United States.

In 2008, a Frida Kahlo exhibition in the United States with over forty of her self-portraits, still lifes, and portraits was shown at the Walker Art Center in Minneapolis, the Philadelphia Museum of Art, the San Francisco Museum of Modern Art and other venues.

Previously, the most recent international exhibition of Kahlo's work had been in 2005 in London, which brought together eighty-seven of her works.

La Casa Azul

Kahlo's Casa Azul (Blue House) in Coyoacán, Mexico City, where she lived and worked, was donated by Diego Rivera upon his death in 1957 and is now a museum housing artifacts of her life. Her former home is a popular destination for tourists.

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