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Rembrandt Harmensz. van
Rijn: Anbetung der Hirten
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Rembrandt Harmensz. van
Rijn: Anatomische Vorlesung des Dr. Deyman,
Fragment van Rijn: Anatomy Lecture of Dr.
Deyman, fragment
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Rembrandt Harmensz. van
Rijn: Anatomie des Dr. Tulp van Rijn: Anatomy
Lesson of Dr. Tulp
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Rembrandt Harmensz. van
Rijn: Alter Mann mit Pelzkappe van Rijn:
Old man with fur cap
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Rembrandt Harmensz. van
Rijn: Old man in the armchair
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Rembrandt Harmensz. van
Rijn: Old man in the armchair
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Rembrandt Harmensz. van
Rijn: Old man in the armchair
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Rembrandt Harmensz. van
Rijn: Old woman, reading
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Rembrandt Harmensz.
van Rijn: The Sacrifice of Manoah
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Rembrandt Harmensz. van
Rijn: The parable of the treasure seekers
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Rembrandt Harmensz.
van Rijn: Danae van Rijn: Danae
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Rembrandt Harmensz. van
Rijn: Christ and the adulteress
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Rembrandt Harmensz.
van Rijn: Christ driving the moneychangers
from the temple
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Rembrandt Harmensz. van
Rijn: Christ at Emmaus
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Rembrandt Harmensz.
van Rijn: Christ at Emmaus
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Rembrandt Harmensz. van
Rijn: Christ in the Storm on the Sea
of Galilee
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Rembrandt Harmensz.
van Rijn: Bust of a laughing man in
Hauberk
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Rembrandt Harmensz. van
Rijn: Bust of an old man with cap
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Rembrandt Harmensz.
van Rijn: Biblical figure
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Rembrandt Harmensz. van
Rijn: Circumcision
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Rembrandt Harmensz.
van Rijn: The Raising of Lazarus
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Rembrandt Harmensz. van
Rijn: Aristotle Contemplating the Bust of
Homer
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Rembrandt Harmensz.
van Rijn: Apostle Peter denied Christ
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Rembrandt Harmensz. van
Rijn: Andromeda chained to the rock |
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Rembrandt Harmensz. van
Rijn: The conspiracy of the Batavian
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Rembrandt Harmensz. van
Rijn: The Night Watch, detail
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Rembrandt Harmensz.
van Rijn: Die Nachtwache van Rijn: The Night
Watch
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Rembrandt Harmensz. van
Rijn: The Jewish Bride (The Couple),
detail
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Rembrandt Harmensz.
van Rijn: The Jewish Bride (The Couple)
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Rembrandt Harmensz. van
Rijn: The Blinding of Samson
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Rembrandt Harmensz.
van Rijn: The Doubting Thomas
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Rembrandt Harmensz. van
Rijn: The Polish rider
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Rembrandt Harmensz.
van Rijn: Philosopher
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Rembrandt Harmensz. van
Rijn: The slaughtered ox
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Rembrandt Harmensz.
van Rijn: The angel leaves the family of
Tobias
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Rembrandt Harmensz. van
Rijn: The angel prevents the sacrifice of
Isaac
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Rembrandt Harmensz.
van Rijn: The Good Samaritan
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Rembrandt Harmensz. van
Rijn: The leper king Uzziah
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Rembrandt Harmensz.
van Rijn: David's Farewell to Jonathan
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Rembrandt Harmensz. van
Rijn: David with Goliath's head to Saul |
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Rembrandt Harmensz. van
Rijn: Jacob Blessing the Sons of Joseph
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Rembrandt Harmensz. van
Rijn: Homer
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Rembrandt Harmensz.
van Rijn: Hendrickje Bathing
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Rembrandt Harmensz. van
Rijn: Hendrickje as Flora
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Rembrandt Harmensz.
van Rijn: The Holy Family
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Rembrandt Harmensz.
van Rijn: The Holy Family
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Rembrandt Harmensz.
van Rijn: Hannah and Simeon in the Temple
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Rembrandt Harmensz. van
Rijn: Haman from grace
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Rembrandt Harmensz.
van Rijn: Entombment of Christ
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Rembrandt Harmensz. van
Rijn: slaughtered ox
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Rembrandt Harmensz.
van Rijn: Flight into Egypt
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Rembrandt Harmensz. van
Rijn: Flora (Portrait of Saskia as
Flora)
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Rembrandt Harmensz.
van Rijn: Family Portrait
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Rembrandt Harmensz. van
Rijn: Evangelist Matthew and the Angel
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Rembrandt Harmensz.
van Rijn: The Christ "for life"
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Rembrandt Harmensz. van
Rijn: The conspiracy of the Batavian, detail |
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Rembrandt Harmensz. van
Rijn: Portrait of Agatha Bas
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Rembrandt Harmensz. van
Rijn: Moses with the Tablets of the Law
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Rembrandt Harmensz. van
Rijn: Man with arms (Alexander the Great)
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Rembrandt Harmensz. van
Rijn: Landscape with Obelisk
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Rembrandt Harmensz. van
Rijn: Landscape with the Baptism of the
eunuch
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Rembrandt Harmensz. van
Rijn: Raising of the Cross
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Rembrandt Harmensz. van
Rijn: Descent from the Cross
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Rembrandt Harmensz. van
Rijn: Descent from the Cross
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Rembrandt Harmensz.
van Rijn: Head of a man
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Rembrandt Harmensz. van
Rijn: Head of an old man
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Rembrandt Harmensz.
van Rijn: Juno
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Rembrandt Harmensz. van
Rijn: Old and young woman
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Rembrandt Harmensz.
van Rijn: Woman in bed
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Rembrandt Harmensz. van
Rijn: Joseph accused by Potiphar's wife
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Rembrandt Harmensz.
van Rijn: Jeremiah mourning over the
destruction of Jerusalem
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Rembrandt Harmensz. van
Rijn: Jacob Wrestling with the Angel |
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Rembrandt Harmenszoon van Rijn (July 15, 1606– October 4, 1669) is
generally considered one of the greatest painters and printmakers in
European art history and the most important in Dutch history. His
contributions to art came in a period that historians call the Dutch
Golden Age (roughly coinciding with the seventeenth century), in which
Dutch world power, political influence, science, commerce, and culture
— particularly painting — reached their pinnacle.
"No artist ever combined more delicate skill with more energy and
power," states Chambers' Biographical Dictionary. "His treatment of
mankind is full of human sympathy" (J.O. Thorne: 1962).
Rembrandt
Paintings Art Pictures
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Who2
Biography:Rembrandt
van Rijn, Artist
- Born: 15 July 1606
- Birthplace: Leiden, Netherlands
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Died: 4 October 1669
- Best Known As: The Dutch master known for his self-portraits
One of the great Dutch painters and printmakers of the 17th century,
Rembrandt van Rijn is best known for his expressive use of light and
shadow (also called chiaroscuro) in his many portraits. Raised in
Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then
returned to Leiden around 1625 and set up shop as a teacher and portrait
artist. Sometime between 1630 and 1632 Rembrandt relocated to
Amsterdam, where he spent the rest of his career. Though he had his
detractors (some of whom considered him coarse and "low born"),
Rembrandt was successful and famous during his lifetime, though he fell
on financial hard times in his later years. He was a master printer and
produced hundreds of group portraits and historical paintings, including
The Anatomy Lesson of Dr. Tulp (1632), The Military Company
of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of
Homer (1653). His portraits -- including a lifelong trail of
intriguing and rather frank self-portraits -- reveal his interest in
psychological study and continue to be admired as landmarks in Western
art.
The Military Company of Captain Frans Banning Cocq is also
known as "The Night Watch" because it was thought the painting depicted a
nighttime scene. When the painting was cleaned in the 1940s it became
obvious that it depicted a daytime scene... He married Saskia van
Ulenburgh (also Uylenburgh) in 1634. They had a son, Titus, in 1641, and
Saskia died in 1642; both Titus and Saskia appear in many of
Rembrandt's paintings.
Britannica
Concise Encyclopedia:Rembrandt
(Harmenszoon) van Rijn
(born July 15, 1606, Leiden, Neth. — died Oct.
4, 1669, Amsterdam) Dutch painter and etcher. As a young man, he was
apprenticed to masters in Leiden and in Amsterdam. His early paintings
show his interest in the "spotlight effects" of light and shadow that
were to dominate his later paintings. Early in his career he began the
studies of his own face and the more-formal self-portraits that make up
almost a tenth of his painted and etched work. After moving to Amsterdam
about 1631, he quickly became the city's most fashionable portrait
painter and a popular teacher. In 1632 he produced the celebrated Anatomy Lesson of Dr. Nicolaes Tulp. Yearning for recognition
as a biblical and mythological painter, in 1635 he produced The
Sacrifice of Isaac and in 1636 Danaë. In 1634 he
married Saskia van Uylenburgh (d. 1642), a woman of property. That same
year he completed his largest painting, the extraordinary but
controversial The Militia Company of Captain Frans Banning
Cocq (known as The Night Watch), which was a watershed
in his life and art. For unknown reasons, his portrait commissions
thereafter declined, and he began to focus his attention on etching, a
medium in which he was self-taught. In 1656, after transferring most of
his property to his son, he applied for bankruptcy. In his last decade
he treated biblical subjects like portraits and also continued to paint
self-portraits. These late works exhibit a lively brushwork and a new
treatment of light. In addition to being an innovator, he was an acute
observer of life and a sensitive renderer of those observations in his
drawings, etchings, and paintings. The human figure, Rembrandt's central
subject, contributes to the sense of a shared dialogue between viewer
and artist, the foundation of Rembrandt's greatness and of his
popularity today. For more information on Rembrandt (Harmenszoon) van Rijn, visit
Britannica.com. Gallery
Self-portraits
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A more cheerful pose, also from ca. 1628, recently re-discovered.[69]
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Rembrandt in 1632, when he was enjoying great success as a
fashionable portraitist in this style.
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Role-playing in Self-portrait as an oriental Potentate with a Kris,
etching, 1634.
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Self-portrait leaning on a Sill, etching, 1639
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1640, wearing a costume in the style of over a century earlier.
National Gallery
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Vienna c. 1655, oil on walnut, cut down in size.
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Rembrandt — Self Portrait, 1659?, Edinburgh, detail.
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Dated 1669, the year he died, though he looks much older in other
portraits. National
Gallery
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Other works
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Artist in his studio, 1629
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Bust of an old man with helmet, 1630
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The Philosopher in Meditation, 1632
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Portrait of Johannes Wtenbogaert, 1633 - a preacher, like many of the
best portraits of the 1630s
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Descent from the Cross. 1634. 1634
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Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a
portrait historié, 1635
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The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
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Belshassar's Feast, 1636-8
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The Archangel leaving Tobias,
1637
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The Risen Christ Appearing to Mary Magdalen, 1638
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The Landscape with Good Samaritan, 1638
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Bathing woman, modelled by Hendrickje, 1654
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Portrait of Jan Six, 1654. Six was a wealthy friend of Rembrandt.
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Christ presented to the People, drypoint,
1655, State I of VII.
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Jacob blessing Joseph's second son, 1656
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The Syndics of the Clothmakers' Guild, 1662
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The Return of the Prodigal Son, c. 1669
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Suzannah and the Elders, drawing, 1634
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Christ and the woman taken in adultery, drawing
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